Tom Stoppard Remembered

Hugh Thomson interviewed Tom Stoppard twice – which amused Stoppard, as few people ever got the chance at all with a writer who famously valued his privacy.

 

 

 

 

 

 

In 1980, I saw Tom Stoppard give the annual Clark Lecture in Cambridge.

The Clark Lectures are usually sedate and resolutely formal affairs, in which an academic or man of letters is invited to opine. TS Eliot delivered a famous one back in his day.

Stoppard began his standing at the customary lectern on stage at the ADC theatre, with the curtain behind him.

He was talking about how performance can alter the interpretation of a play and gave as an example the moment in Travesties when Lenin’s secretary opens a new Act with an exposition on the progress of the war in Russia. It is a long monologue for an audience to digest, and had caused problems for both the initial London and New York productions.

But the French producers telegrammed to him to say – a telegram was still a thing then – that the play was a huge success in Paris, particularly that scene.

He had not been present for the French rehearsals or opening night and hurried over.

‘And this,’ he said, ‘is how they played that scene with Lenin’s secretary.’ …

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Tom Stoppard Remembered Read More »

Viva Byron! published in both hardback and e-book

What would have happened if the poet Lord Byron had not died an early death in Greece?

But instead had lived – and then some – by doing what his letters show he always wanted to do: escape to South America with the great last love of his life, Countess Teresa Guiccioli, and help Simon Bolivar liberate it from the Spanish.

This great sweep of a novel imagines just that and takes the poet and his lover into a New World of the Americas where nothing is ever quite as they expect.

‘Bold, bewitching and a touch dangerous – like Lord Byron himself’  Benedict Allen

‘Hugh Thomson is a mesmerising storyteller’  Sara Wheeler

‘Literally fabulous! Unmissable…’  Joanna Lumley

 

So if anyone’s wondered what I’ve been doing during the extended radio silence it’s because I have determinedly not been doing any other activities other than getting this novel finished!

Which has involved travelling to Colombia to research it and the usual amount of concentrated work…

But I’m very pleased with the result and I hope that all my readers feel it’s been worth the wait.

The Kindle ebook version is available from Amazon.

The hardback versions is also available from Amazon and all good booksellers  from January 2025.

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The new Peru Show at the British Museum is a Triumph. But…

A big new show about Peru has just opened at the British Museum to showcase the almost four millennia of Peruvian civilisation that preceded the destructive arrival of the Spanish.

It’s the first at the museum since almost the Second World War, so quite a moment to have a look at the Incas and their predecessors.

I’m pleased to report that thanks to energetic and intelligent curatorship from Jago Cooper (known to TV audiences for his work on presenting Latin American archaeology) and Cecilia Pardo, this is a triumphant success.

That said, the curators have their work cut out. Although using some of the central main space in the British Museum, it’s a smaller show than others have been, so needs to be concentrated.

And I know only too well from my Cochineal Red book – being sold alongside the exhibition –  the challenges already involved in trying to present the huge span of Peruvian prehistory to an audience who may be unfamiliar with the route map of the rise and fall of its civilisations. …

The new Peru Show at the British Museum is a Triumph. But…Read More »

The new Peru Show at the British Museum is a Triumph. But… Read More »

The Upsetter – Lee Perry remembered on a rare meeting in Kingston

(c) Hugh Thomson 1994. The photograph I took of Lee as he sang to me in the burnt out husk of the Black Ark studio.

 

“Who am I? I’m the Mystic Warrior. Because I am what I am, and I am he that I am.  I am a technological man, I am not a reggae star, I am a technological star.  I am [with an intense look past my shoulder] the Upsetter”.

 

When Lee ‘Scratch’ Perry granted me a rare interview on his first visit to Kingston in years, I always knew it would throw up surprises. Here, after all, was a man who had created some of the greatest and wildest reggae songs of all time and was considered eccentric to the point of insanity.  A man who planted the records he made in his garden and watered them.  A man who wore compact discs glued to his baseball cap and mirrors on his trainers so that he could reflect light back over walls to ‘own them’. …

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The Upsetter – Lee Perry remembered on a rare meeting in Kingston Read More »

Nero – From Zero to Hero

Nero – one of the few statues to survive that didn’t get remodelled after his fall and disgrace – showing his fringed hairstyle that was even more influential than the Beatles

Another week, another fabulous British Museum show – they have been queueing up like buses during lockdown to arrive all at once.

There are similarities between the Nero show and the Becket show which they also asked me to review ahead of its opening.

Both deal with the rewriting of history. In Nero’s case, the argument cogently expressed by the curators goes, the history was written by his senatorial opponents, so blackened his image.

Nero did not fiddle while Rome burned – indeed helped rebuild it – …

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Nero – From Zero to Hero Read More »

Scotland leaving Britain – or Britain leaving Scotland?

Why the rest of Britain might want to leave Scotland

I was at dinner recently with a distinguished Fellow of All Souls who had served as a politician and is known for his incisive analysis. The conversation turned to Scotland and their forthcoming elections.

With some relish, my companion, English like me, listed the multiple reasons why the Scots should not want to leave the Union.

They would have problems with their currency. The Europeans would not want them back. Under current arrangements, they were considerable nett gainers from Westminster; independence would see their trade and incomes diminish.  And would Shetland or Orkney then want to secede from Scotland? Or for that matter would some of the border constituencies reconstitute themselves, like the six counties of Northern Ireland, and want to reattach to the United Kingdom, with all the attendant tensions that have occurred in Ulster?

As much to stop him in his tracks as anything else, I asked him if he had ever turned the issue on its head. If the Scots enjoyed so many advantages by being part of the Union, what exactly did the rest of Britain gain by keeping them? If they wanted to go, and certainly if they voted to go, wouldn’t we be better off by just cutting them loose? Surely there was no logical or rational reason for wanting to keep Scotland in the Union, other than the very debatable merits of maintaining a nuclear base at Faslane? …

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Scotland leaving Britain – or Britain leaving Scotland? Read More »

Neanderthal and Proud

A little while ago my brother decided to get a DNA test. So far, so good and why not. He discovered, and decided to share with his siblings, without necessarily asking us if we wanted him to, that we were all descended from a mix of the usual British suspects – a bit of Viking, Anglo-Saxon and Celt – and were predisposed to standard diseases and health risks.

But he kept one surprise back to the end. We had double the normal amount of Neanderthal in our genes.

For those who haven’t been keeping up, it’s now well established that we all have a small quantity of Neanderthal genes. This is the result of contact that occurred largely in the Middle East and  Europe when homo sapiens arrived to find Neanderthals already there, sometime before 40,000 BC.  And given that’s a fair while ago, there must been a great deal of what scientists genteelly call ‘interbreeding’ for even some of that still to survive diluted today. …

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Neanderthal and Proud Read More »

Afghanistan: No Interpreters and the Dangers of Ignorance

As the Americans prepare to leave Afghanistan and here in Britain we hold a Defence Review, have we learned the lessons of our own failures there?

Lockdown has given me plenty of time to reflect and I’ve been thinking recently a great deal about Afghanistan – perhaps prompted by the fact that the Americans may be about to withdraw completely from that country after 20 years of largely unsuccessful occupation since the invasion.

I was in the country for a brief and intense time in 2007 when I was filming for Channel 4 Dispatches and CNN. We saw a country that had been brutalised for decades by the Russian occupation, the ensuing civil war and then the American carpet bombing to ensure that their troops met no resistance. And a country which was becoming restive as the Allies seemed increasingly unable to help them rebuild, or for that matter interested in doing so once they had been distracted by Iraq. …

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Afghanistan: No Interpreters and the Dangers of Ignorance Read More »

The Dig – A triumph

So archaeology can make for a great movie. Don’t be put off by the rather patronising review in the Guardian or some carping criticism about historical accuracy. The Dig, streaming from today as cinemas closed, is an excellent film and worth catching. I wouldn’t be at all surprised if it gets a few BAFTA nominations and deserves to.

I did initially approach with suspicion as to whether it was the sort of quiet English period piece which would irritate me for being underscripted and too pleased with itself. Like too much Sunday afternoon television. But this tale of the discovery of the Sutton Hoo Anglo-Saxon longship in a Suffolk field just before the war has a quite unexpected and moving performance by Ralph Fiennes – a career best – playing a deep East Anglian countryman with not just the accent, but the staggered delivery that makes the Suffolk voice so memorable. He apparently had a lot of training in ‘suffolkation’ from local expert Charlie Haylock, and it shows.

And he’s not the only reason to see it.  There is some unusually fine ensemble acting, helped by the fact that the Australian director Simon Stone comes out of experimental theatre where he has been much heralded; this is his first film and he manages to get some subtle performances all round, leaving in the silences, helped by a good script from the successful novel by John Preston. …

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The Dig – A triumph Read More »

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