Talking Sheep

JGH-Sheep1
Jason Gathorne-Hardy, the master artist when it comes to sheep

Not often that an obvious stand-out classic arrives in the rather over populated world of nature history writing at the moment. Last year it was Meadowland by John Lewis-Stempel.

This year it is definitely The Shepherd’s Life: A Tale of the Lake District by James Rebanks , who already has a large following from his Twitter account as ‘The Herdwick Shepherd’.

Counting sheep will never send people to sleep again. It’s an extraordinary authentic account of what it actually is like to live and breathe sheep.  Tersely written as well.

He pays tribute both in his title and in his text to WH Hudson’s classic A Shepherd’s Life, which was based on a series of interviews with a shepherd in Dorset and which I quoted in The Green Road into the Trees when walking through that part of the world:

The naturalist WH Hudson, noted how the local plants had adapted by growing as low as possible to avoid the attentions of the sheep.  I was a great admirer of Hudson and had visited the house where he was born in Argentina, overshadowed by an enormous ombu tree:  a strange tree which is more like a giant shrub, and needs to have its branches supported on crutches across the ground, so that it resembles a giant spider.

He brought to his studies of England, in particular A Shepherd’s Life about these Dorset and Wiltshire Downs, a sense that England was just as strange and exotic as the pampas;  also a sense of how short rural memories are.  He told an odd story of how a farmer he had met had puzzled over finding a disused well full of sheep heads with horns, when none of the local breeds were horned;  and that Hudson had had to tell him about the old Wiltshire breed of sheep, with horns, which had only died out a generation or so before.

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