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The Revenant – a film about wilderness

December 24th, 2015 Leave a comment Go to comments

revenantLong-standing readers of this blog will know that I rarely touch on films – despite being, among other things, a filmmaker.

But then The Revenant is a rare film and moreover, a film about wilderness, the exploration of which is very much the theme of this blog.

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It is also a reminder of how films need not be formulaic; how a bold director can rework and reimagine a mythic landscape – in this case, a wild west, or perhaps more accurately a wild north as we are in American fur trapping country of a brutal cold.

Alejandro G. Iñárritu finds the lyrical interstices of landscape. The moment you look up into the trees or the mountains.  Most directors use a landscape shot to frame a sequence, usually at the start and end – as Quentin Tarantino does in his new Western, The Hateful Eight. Iñárritu edits his landscape shots to disconcert the viewer during the scene – to give the suggestion that the story is much bigger than the human one.

rev 3In some ways, his rule-breaking reminds me of what Terrence Malick did in Days Of Heaven – and like that film, a different way of working prompted mutiny from some of his crew. Film-making is so often done by default – there’s an elegant shorthand that has been involved for every type of sequence or narrative –  that if anyone tries to escape that, they are rolling a rock uphill or, like Herzog in another movie that broke the mould, trying to take a ship over the mountain.

Iñárritu already showed in Birdman that he has a virtuoso mastery of camera and narrative rhythm (and ability to win prizes, which he certainly should for this); but whereas that was a lighter, theatrical piece, here he applies his talents to an elemental story of survival and revenge.  DiCaprio holds it together well and Tom Hardy is a magnificently gnarly Texan;  Domhnall Gleason’s captain has a documentary plainness to him that is as good as anything in Barry Lyndon, a film with similar lacunae of still moments.

This is a film about what it’s really like to engage with wilderness – the bloodiness of it and the bloody mindedness needed to survive.  And of the beauty of elemental moments. It’s not a film for the fainthearted – but then they never did get out and about much anyway.

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The Revenant is released tomorrow on Xmas Day in the States, about the least appropriate festive film of all time (though The Hateful Eight is released the same day);  and in the UK in the New Year.  see trailer

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